Predecessor Institutions[ edit ] GS's evolutionary ancestor is the now-defunct, all-male Seth Low College, which was established in Downtown Brooklyn in to help alleviate the flood of Jewish applicants to Columbia College. Henceforth, its remaining students were absorbed into the Morningside Heights campus as students in the University Undergraduate program, which was established by Nicholas Murray Butler in
This article is a draft that contains only a fraction of the material that I will eventually publish as a book. Some sections and references in this article are incomplete and will be expanded in the book, including never-before-published material from field research on Boogie Woogie by me and others.
Africa is a rich continent that has for centuries provided the world with art, culture, labor, wealth, and natural resources.
Being mindful of this fact suggests certain questions: Is there historical and cultural evidence in Africa even today that suggest a common biological heritage and aesthetic sensibility among human beings? If so, what Death and everman essay the elements of this common aesthetic?
Does Boogie Woogie share any of these elements? To the extent that these questions can be answered in the affirmative, Boogie Woogie can be seen in a much larger context than merely being a popular music and dance form originating in the United States.
However, before considering Death and everman essay Woogie in such a broad historical context, I want to first examine its evolution within the United States.
A fast, rolling bass—giving the piece an undercurrent of tremendous power—power piano playing. This style was often referred to as a 'fast western' or 'fast blues' as differentiated from the 'slow blues' of New Orleans and St.
At these gatherings the ragtime and blues boys could easily tell from what section of the country a man came, even going so far as to name the town, by his interpretation of a piece.
Simms Campbell,pagesin Chapter 4 "Blues" in the book, "Jazzmen: And all the Old-time Texans, black or white, are agreed that boogie piano players were first heard in the lumber and turpentine camps, where nobody was at home at all.
The style dates from the early s. Even before ragtime, with its characteristic syncopation and forward momentum, was picked up by whites in the North, boogie was a necessary factor in Negro existence wherever the struggle for an economic foothold had grouped the ex-slaves in segregated communities mostly in water-front cities along the gulf, the Mississippi and its tributaries.
Despite the fact that both E. Simms Campbell and Elliot Paul mention "turpentine camps," there is good reason to conclude that Boogie Woogie did not originate in turpentine camps. For a more detailed explanation of the reasoning that led to this conclusion, see the section titled "Why Boogie Woogie Is Unlikely to Have Originated in Turpentine Camps.
Thomas Clarence Williams states: It wasn't called the 'Boogie Woogie' then. George Thomas was the fellow who used this style and first wrote it down. This image of George Washington Thomas, Jr.
However, the style became a fixture in "Deep Ellum" after the turn of the century. These comments on the origin of Boogie Woogie by Barlow is consistent with the witnessing by Leadbelly, as well as with the account given by Lee Ree Sullivan of Texarkana.
Jefferson might have also derived his "Booga Rooga" bass line from Lead Belly, after Leadbelly witnessed Boogie Woogie bass lines played by pianists in the Arklatex. Simms Campbell and Clarence Williams are among the earliest accounts that attribute an origin of Boogie Woogie music to a specific geographical region, namely Texas.
Their comments above are also noteworthy in that neither E. Simms Campbell nor Clarence Williams were from Texas. Campbell was from St.
Louis and spent time living and conducting research in both Chicago and New York. Williams was from Louisiana, and also spent considerable time living in Chicago and New York. Thus, neither man had a conflict of interest or a Texas bias that might have contributed to a distortion in their thinking about the geographical origin of Boogie Woogie.
Moreover, inafter many years of researching the development of the Blues in America, historian Paul Oliver corroborated the idea that Boogie Woogie music originated in Texas See below. Consequently, part of my current analysis will focus on looking at evidence and at the music and migratory patterns of early Texas Boogie Woogie players.
At the same time, I want to see if it is possible to account for other early reports of the performance of Boogie Woogie that seem to be geographically discontinuous with the preponderance of early reports. In summary, I hope to engage in a sort of "meta-analysis" that will yield a coherent theory for development of Boogie Woogie that takes into account all known evidence.
I will describe the musical features that distinguish Boogie Woogie. Moreover, when appropriate, I will also take the opportunity to defend the musicality of and dispel misconceptions about Boogie Woogie.
Ultimately, I want to consider Boogie Woogie in a much broader context of human evolution and universal aesthetic sensibilities.
Part of this broader consideration will examine how the formal elements of Boogie Woogie have strong correlates and associations with ancient spiritual, religious, and sexual practices. Moos wrote [when referring to the developers of the Boogie Woogie]:Barrelhouse Pianist.
The photo above was taken in Minglewood, TN in This photo is contained in the Special Collections Photograph Archives of the University of Louisville.
Everyman is primarily a play about death. Do you agree? This question asks you to examine a statement about the play and consider how much you agree with it. Remember that, with questions like this, it is always good to see two sides to the story: in some ways the play is about death, but it is also about other things - and a good essay will. the rockford carnegie library board of trustees will have a special meeting on monday. october 15, at 7 pm in the library meeting room to discuss the employment and compensation of personnel. The play Everyman has a literal meaning of an individual named Everyman who goes on a journey to the end of his life and tries to get his friends to accompany him along the way. On Everyman’s voyage, Good Deeds is the only one who can accompany him into death, and he is the only character that is able to linger with him before the presence of.
“Boogie Woogie piano playing originated in the lumber and turpentine camps of Texas and in the sporting houses of that state. Everyman is primarily a play about death. Do you agree? This question asks you to examine a statement about the play and consider how much you agree with it.
Remember that, with questions like this, it is always good to see two sides to the story: in some ways the play is about death, but it is also about other things - and a good essay will. Free Essay: RESEARCH PAPER INSTRUCTIONS In Module/Week 8, you will write a words (about 5–7-pages) essay that addresses one of the plays from the Drama.
Death and Everyman Drama Outline: Intro: Everyman is a morality play that was written by an unknown author in the late fifteenth century. The play is about man’s reckoning with God upon our death.
Tiger Talk! March 3, Dear Parents/Guardians, During the month of March, we will be talking to the children about “Faithfulness,” this month’s Fruit of the Spirit. Following the brief overview of the “Everyman,” the essay discusses death in several cultures and how individuals treat death with support from scholars.
In the story, Everyman is the central character who represents mankind and everything that mankind experiences in life until the Day of Judgment.