Divine Law The play opens with the debate between the sisters Antigone and Ismene about which law comes first—the religious duty of citizens, or the civil duty? Antigone invites Ismene to join her in burying their brother Polyneices, though the king has forbidden burial on pain of death. Antigone denies that Creon has authority in the matter of burial, a sacred duty she feels bound to fulfill. Creon, on the other hand, believes the state is supreme.
Reign[ edit ] Jar bearing the cartouche of Hatshepsut. Filled in with cedar resin.
From Deir el-Bahari, Egypt. The Petrie Museum of Egyptian Archaeology, London Trade with other countries was re-established; here trees transported by ship from Punt are shown being moved ashore for planting in Egypt—relief from Hatshepsut mortuary temple Although contemporary records of her reign are documented in diverse ancient sources, Hatshepsut was thought by early modern scholars as only having served as a co-regent from approximately to BC, during years seven to twenty-one of the reign previously identified as that of Thutmose III.
Josephus and Julius Africanus both quote Manetho 's king list, mentioning a woman called Amessis or Amensis who has been identified from the context as Hatshepsut.
In Josephus' work, her reign is described as lasting 21 years and nine months,  while Africanus stated it was twenty-two years. At this point in the histories, records of the reign of Hatshepsut end, since the first major foreign campaign of Thutmose III was dated to his 22nd year, which also would have been Hatshepsut's 22nd year as pharaoh.
Her father's reign began in either or BC according to the high and low estimates of her reign, respectively. With short reigns, Hatshepsut would have ascended the throne 14 years after the coronation of Thutmose I, her father. The earliest attestation of Hatshepsut as pharaoh occurs in the tomb of Ramose and Hatnoferwhere a collection of grave goods contained a single pottery jar or amphora from the tomb's chamber—which was stamped with the date Year 7.
She oversaw the preparations and funding for a mission to the Land of Punt. This trading expedition to Punt was roughly during the ninth year of Hatshepsut's reign. Hatshepsut's delegation returned from Punt bearing 31 live myrrh trees, the roots of which were carefully kept in baskets for the duration of the voyage.
This was the first recorded attempt to transplant foreign trees. It is reported that Hatshepsut had these trees planted in the courts of her mortuary temple complex.
Egyptians also returned with a number of other gifts from Punt, among which was frankincense. This is the first recorded use of the resin.
Due to the fat deposits on her buttocks, it has sometimes been argued that she may have had steatopygia. However, according to the pathologist Marc Armand Rufferthe main characteristic of a steatopygous woman is a disproportion in size between the buttocks and thighs, which was not the case with Ati.
She instead appears to have been generally obesea condition that was exaggerated by excessive lordosis or curvature of the lower spine.
Very little is known about these expeditions. Although many Egyptologists have claimed that her foreign policy was mainly peaceful,  it is possible that she led military campaigns against Nubia and Canaan. Designed by Senemut, her vizierthe building is an example of perfect symmetry that predates the Parthenonand it was the first complex built on the site she chose, which would become the Valley of the Kings Copper or bronze sheet bearing the name of Hatshepsut.
From a foundation deposit in "a small pit covered with a mat" found at Deir el-Bahri, Egypt. The Petrie Museum of Egyptian Archaeology, London Hatshepsut was one of the most prolific builders in ancient Egypt, commissioning hundreds of construction projects throughout both Upper Egypt and Lower Egypt.
Arguably, her buildings were grander and more numerous than those of any of her Middle Kingdom predecessors'.The most famous rock-cut private tombs are those of the New Kingdom at Thebes, their fame resting, above all, on their mural plombier-nemours.com elsewhere the excavated chambers are the tomb-chapels, mostly taking a simple T-form, in which the crossbar of the T represents the entrance hall, and the upright stroke of the T is the chapel proper.
The Death Of Antigone And Creon - The mythology is a perfect representation of how a ruler must listen to both sides of an argument before arriving at a final decision and how purely peer pressure and laws that he made on his own should not deter his decision.
Heaney’s play The Burial at Thebes is a version of the Greek tragedy Antigone by the Athenian dramatist Sophocles (c BCE).
According to Heaney it is not a translation but a version as he was “looking for meaning not language” (Heaney, , CDA, The Burial at Thebes - Interviews).
A Time-line for the History of Mathematics (Many of the early dates are approximates) This work is under constant revision, so come back later. Please report any errors to me at [email protected] Antigone: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
What is the main contribution made by the Chorus in The Burial at Thebes? Answer with specific references to the text of the play. In this assignment I aim to show the main contribution made by the Chorus in The Burial at Thebes and in doing so I shall answer with specific references to the text of the play.